{"id":937,"date":"2022-03-22T11:00:44","date_gmt":"2022-03-22T11:00:44","guid":{"rendered":"https:\/\/blog.uantwerpen.be\/heritage-sciences\/?p=937"},"modified":"2022-03-22T11:02:40","modified_gmt":"2022-03-22T11:02:40","slug":"material-technical-research-into-the-oeuvre-of-willem-kick-the-pioneer-of-european-lacquer","status":"publish","type":"post","link":"https:\/\/blog.uantwerpen.be\/heritage-sciences\/material-technical-research-into-the-oeuvre-of-willem-kick-the-pioneer-of-european-lacquer\/","title":{"rendered":"Material-technical research into the oeuvre of Willem Kick, the pioneer of European Lacquer"},"content":{"rendered":"\n<p>During his internship at the \u2018Museum f\u00fcr Lackkunst\u2019 (Museum of the Art of Lacquer) in M\u00fcnster (Germany), Master student Robbe Vanmassenhove (Conservation-Restoration, UAntwerp) conducts an in-situ material-technical research on several unique European lacquer objects. These early 17<sup>th<\/sup>-century show-pieces have been art-historically and stylistically attributed to Willem Kick, one of the pioneers of European lacquerwares. To deepen our understanding of Kick&#8217;s oeuvre and his workshop\u2019s production methodology, a detailed material-technical studies is conducted. Visual analysis is executed at a macro and micro level to clarify both productions and construction strategy of boxes\u2019 construction and decorative layers.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"714\" src=\"https:\/\/blog.uantwerpen.be\/heritage-sciences\/wp-content\/uploads\/2022\/03\/Blogpost_2-1024x714.png\" alt=\"\" class=\"wp-image-939\" srcset=\"https:\/\/blog.uantwerpen.be\/heritage-sciences\/wp-content\/uploads\/2022\/03\/Blogpost_2-1024x714.png 1024w, https:\/\/blog.uantwerpen.be\/heritage-sciences\/wp-content\/uploads\/2022\/03\/Blogpost_2-300x209.png 300w, https:\/\/blog.uantwerpen.be\/heritage-sciences\/wp-content\/uploads\/2022\/03\/Blogpost_2-768x535.png 768w, https:\/\/blog.uantwerpen.be\/heritage-sciences\/wp-content\/uploads\/2022\/03\/Blogpost_2-400x279.png 400w, https:\/\/blog.uantwerpen.be\/heritage-sciences\/wp-content\/uploads\/2022\/03\/Blogpost_2.png 1287w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Visual analysis of UV-reflectance on a European lacquer box attributed to Willem Kick, Amsterdam, ca. 1620. Left) Visual light; right) UV-VIS with reflectance of white paint and a later addition in blue bottom right. \n\u00a9 Museum f\u00fcr Lackkunst\n<\/figcaption><\/figure>\n\n\n\n<p>A digital microscope is used to examine the layer composition of the lacquer and decorative finishes such as gold leaf, maki-e, and paint. By UV-fluorescence we aim to identify and differentiate materials. The different chemical composition of modern materials produce different fluorescence and thus helps us to distinguish the non-original additions from the original ones. Finally, Vincent Cattersel (ARCHES research group UA) will perform PXRF and FTIR analysis in an attempt to identify the lacquer, paints and metal powders. The goal of these combined research methods is to identify a \u2019fingerprint\u2019 of the production method of one of Europe&#8217;s earliest masters of European lacquerware. Thus far we know that the gildings on the black lacquer are made of gold leaf with a polychrome transparent glaze on top. This method of application stands in stark contrast to other decorative layers where opaque paints in various thicknesses and nuances were applied.<\/p>\n\n\n\n<p>For more information contact: Vincent Cattersel (vincent.cattersel@uantwerpen.be)<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>During his internship at the \u2018Museum f\u00fcr Lackkunst\u2019 (Museum of the Art of Lacquer) in M\u00fcnster (Germany), &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/blog.uantwerpen.be\/heritage-sciences\/material-technical-research-into-the-oeuvre-of-willem-kick-the-pioneer-of-european-lacquer\/\" class=\"more-link\"><span class=\"screen-reader-text\"> &#8220;Material-technical research into the oeuvre of Willem Kick, the pioneer of European Lacquer&#8221;<\/span><\/a><\/p>\n","protected":false},"author":15,"featured_media":938,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32,34],"tags":[50,97,96,92,90,94,95,93,91],"class_list":["post-937","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-onderzoek","category-praktijk","tag-arches","tag-artconservation","tag-conservationrestoration","tag-dino-lite","tag-museumfurlackkunst","tag-pxrf","tag-technicalarthistory","tag-uv-fluorescence","tag-willemkick"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Material-technical research into the oeuvre of Willem Kick, the pioneer of European Lacquer - Antwerp Cultural Heritage Sciences<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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