{"version":"1.0","provider_name":"bladspiegel","provider_url":"https:\/\/blog.uantwerpen.be\/bladspiegel","author_name":"Lisa Hilte","author_url":"https:\/\/blog.uantwerpen.be\/bladspiegel\/author\/lisa-hilte\/","title":"Een regenwolk met een zilveren randje? Hoe de covidpandemie ook academische mogelijkheden schept (4) - bladspiegel","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"mWGelfgSrS\"><a href=\"https:\/\/blog.uantwerpen.be\/bladspiegel\/marlies-de-munck\/\">Een regenwolk met een zilveren randje? Hoe de covidpandemie ook academische mogelijkheden schept (4)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blog.uantwerpen.be\/bladspiegel\/marlies-de-munck\/embed\/#?secret=mWGelfgSrS\" width=\"600\" height=\"338\" title=\"&#8220;Een regenwolk met een zilveren randje? Hoe de covidpandemie ook academische mogelijkheden schept (4)&#8221; &#8212; bladspiegel\" data-secret=\"mWGelfgSrS\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/blog.uantwerpen.be\/bladspiegel\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/blog.uantwerpen.be\/bladspiegel\/wp-content\/uploads\/2021\/11\/Wetenschapscommunciatie-als-wedstrijdvorm-10.png","thumbnail_width":600,"thumbnail_height":400,"description":"Marlies De Munck bestudeert de impact van de coronamaatregelen op de muzieksector. Hoe veerkrachtig is die sector? En wat verandert de nieuwe digitale werkelijkheid aan muziekbeleving en aan de relatie tussen publiek en performer?"}